< Back Integrating discoverability and prominence in video-on-demand consumption choices. A qualitative user study in Belgium Iordache, C., Loisen, J., & Van Audenhove, L. (2023). Integrating discoverability and prominence in video-on-demand consumption choices. A qualitative user study in Belgium. International Communication Gazette . https://doi.org/10.1177/17480485231191898 As video-on-demand services have taken a central position in audiovisual distribution in European markets, over-the-top viewing has become increasingly popular. This shift has heavily impacted consumption patterns and exposure diversity, as they are reshaped by non-linear distribution and technological affordances. This article aims to integrate debates on discoverability and prominence within wider research on video-on-demand consumption. It does so by widening the existing focus on the strategies deployed by video-on-demand services to capture users’ contexts and actions in the consumption decision-making process. The framework is based on exploratory qualitative research conducted in Belgium through a diary study and in-depth interviews and can contribute to future audience research on video-on-demand consumption choices. We find that users discover and choose audiovisual content to consume on demand through a combination of formal and informal factors. These are grouped into four thematic categories, namely technological affordances, perceived offering, external ‘nudges’, and process. Platforms Previous Read the article Next

< Back Dubbing wars: localisation strategies of transnational streaming services for Spanish ‘original’ works Gallo, P., & Iordache, C. (2026). Dubbing wars: localisation strategies of transnational streaming services for Spanish ‘original’ works. Convergence: The International Journal of Research into New Media Technologies , 1-17. https://doi.org/10.1177/1354856526141627 This research investigates the intricate process of localising subscription video-on-demand (SVOD) services on a transnational scale, with a specific focus on the translation of Spanish ‘original’ and ‘exclusive’ works of Netflix and Prime Video. As SVOD companies expand their services internationally, the necessity of adapting to diverse national markets becomes paramount. Language emerges as a pivotal factor in this process: audiovisual works must provide adequate subtitling and dubbing options to address the diverse linguistic nuances of international audiences. The research aims to analyse the language localisation strategies for Spanish works in transnational SVOD services, by examining the dubbing and subtitling options offered. The article provides a mapping of the strategies and partners adopted by these companies focussing on a sample of local works. Additionally, by collecting data from the two SVOD services and through interviews with dubbing studios, the research analyses mergers, acquisitions and power relations between dubbing companies, as well as the impact on competition generated by transnational streaming services. Both Netflix and Amazon have increasingly added more language options for content offerings as part of their internationalisation, which has favoured the proliferation of a specific type of company and business model in the dubbing sector. This consists of transnational corporations that have provided localisation services in the wake of the internationalisation of streamers, and that have managed to keep up with the demands through mergers and acquisitions with studios in foreign countries. Platforms Previous Read the article Next

< Back Tim Raats Associate Professor tim.raats@vub.be Most of us have grown up with public service broadcasting and linear television as the focal point for news, entertainment and TV drama. While television and public broadcasting still exist today, and still take up crucial positions in the European media landscape, the entire audio-visual constellation has – and is – changing at a rapid pace. My research interests lie on the crossroads of these changes and continuities. In my work, I combine policy research, production studies and media economics to analyse shifts in small audio-visual ecosystems. My expertise areas are public broadcasting policies and strategies on the on the one hand, (with specific attention for public broadcasting partnerships) and the sustainability of television industries in small markets, where I specialized in financing and production of TV drama. I currently lecture various media policy courses (political economy of the creative industries, media policy, EU Media Policy) at the Communication Studies Department of the Vrije Universiteit Brussel. I obtained a PhD in 2014 on the role and position of public service media in a networked society. As a senior researcher at imec-SMIT, I have been involved in contract research for various stakeholders (including VRT, the Flemish Sector Council), either as researcher, lead researcher or supervisor. Recent projects I was involved in include MeCETES (2014-2016) which analysed patterns of film and TV distribution in Europe, a 2016 stakeholder evaluation of the Flemish Game Fund, and a study examining the effectiveness of support mechanisms for television in Flanders (2016-2017) (in collaboration with Econopolis). Visit my research profile

< Back Catching the waves: The case of VRT's digital-first audio strategy Van der Elst, P., Iordache, C., & Raats, T. (2025). Catching the waves: The case of VRT’s digital-first audio strategy. European Journal of Communication . https://doi.org/10.1177/02673231251370877 European public service media (PSM) are increasingly embracing strategies that balance digital platform tactics and meeting the public remit. This article addresses how a small market PSM is repositioning itself in a media landscape dominated by global platforms, streaming services and legacy media adopting platformisation strategies. We examine platformisation at the Flemish broadcaster VRT through the lens of its digital audio strategy. The study combines document analysis and expert interviews. Results show a strategic shift towards more focus on user needs and habits; a branding strategy revolving around the VRT parent brand; a necessary yet precarious presence on third-party platforms; a legacy-driven content offering complemented by online-only commissioning; and a firm editorial grip on content curation. VRT's take on these strategic innovations highlights a series of key dilemmas for PSM to reconcile public remit delivery and competitiveness in a platformised media landscape. Public Service Media Previous Read the article Next

< Back What is Serendipity? An Interview Study to Conceptualize Experienced Serendipity in Recommender Systems Binst, B. , Michiels, L. & Smets, A. , 2025, (Accepted/In press).What is Serendipity? An Interview Study to Conceptualize Experienced Serendipity in Recommender Systems. Proceedings of the 33rd ACM Conference on User Modeling, Adaptation and Personalization Serendipity has been associated with numerous benefits in the context of recommender systems, e.g., increased user satisfaction and consumption of long-tail items. Despite this, serendipity in the context of recommender systems has thus far remained conceptually ambiguous. This conceptual ambiguity has led to inconsistent operationalizations between studies, making it difficult to compare and synthesize findings. In this paper, we conceptualize the user’s experience of serendipity. To this effect, we interviewed 17 participants and analyzed the data following the grounded theory paradigm. Based on these interviews, we conceptualize experienced serendipity as a user experience in which a user unintentionally encounters content that feels fortuitous, refreshing, and enriching. We find that all three components—fortuitous, refreshing and enriching—are necessary and together are sufficient to classify a user’s experience as serendipitous. However, these components can be satisfied through a variety of conditions. Our conceptualization unifies previous definitions of serendipity within a single framework, resolving inconsistencies by identifying distinct flavors of serendipity. It highlights underexposed flavors, offering new insights into how users experience serendipity in the context of recommender systems. By clarifying the components and conditions of experienced serendipity in recommender systems, this work can guide the design of recommender systems that stimulate experienced serendipity in their users, and lays the groundwork for developing a standardized operationalization of experienced serendipity in its many flavors, enabling more consistent and comparable evaluations. Recommender Systems Previous Read the article Next

< Back Public Service Media in the Age of Platforms PSM-AP Public service media (PSM) organizations have to compete with global streaming services (e.g. Netflix and YouTube), for audiences, revenue and talent. They have had to develop new on-demand services and online content that can only be delivered through the online systems owned by global platforms such as Google, Apple and Amazon. The PSM-AP project asks how PSM organisations, and the regulators and policymakers that legislate for and enforce their remits, are adapting to this new platform age, and how their responses might be altering the social and cultural values of PSM and its ability to operate in the public interest. It focuses on television, which remains at the heart of PSM. It asks how the new environment within which PSM organisations are operating might affect the values that underpin the production and distribution of TV programmes by PSM organizations, and the policy debates and regulatory structures that shape the remits and structures within which PSM organizations operate. The project will compare data gathered within and across six countries and 12 PSM organizations: Belgium (RTBF, VRT), Canada (CBC), Denmark (DR, TV 2), Italy (RAI), Poland (TVP), UK (BBC, Channel 4, S4C, ITV, Channel 5). Researchers on this project Catalina Iordache Guest Professor Tim Raats Associate Professor Consortium partners Aarhus University University of Leeds University of Warsaw Aarhus University 1/5 Tags Platforms, Media Policy Previous Next

< Back Promoting Fairness of the Music Ecosystem in a Platform-Dominated and Post-Pandemic Europe Fair MusE The overarching goal of Fair MusE is to promote fairness for music creators and stakeholders from an interdisciplinary perspective, thus leading to a more transparent, competitive and sustainable music ecosystem in Europe. Fair MusE focuses specifically on the domination of online platforms and their algorithms and will investigate: the legal responses that have been proposed in the EU the changes these platforms have brought to the music industry and music professionals the impact of such algorithms on music consumption. Fair MusE will provide an interdisciplinary analysis of fairness in the music industry involving music creators and stakeholders in the research; promote and enhance transparency concerning music industry practices and standardisation in data collection in the European music ecosystem; and assess the risks created by the reinforced dominance of the largest online platforms prompted by COVID 19 as well as making policymakers, stakeholders and the general public aware of such risks. To do so, Fair MusE will provide an innovative, strong and future-proof set of co-created responses and solutions: the ‘Music Copyright Infrastructure’, a data-sharing model agreement enhancing transparency; a ‘Music Data Dashboard’ of statistical indicators on the economic and societal value of the European music sector; the ‘Fairness Score’, a tool to assess music services and social media in terms of fairness’ multiple facets; and a ‘White Paper’ embodying policy recommendations to enhance competitiveness, sustainability, transparency and fairness of the EU music ecosystem. Our consortium is a carefully designed interdisciplinary group of academic and industry partners with strong expertise in the fields of law, economics, political science and computer science, supported by an Advisory Board composed of a highly qualified and broadly representative group of industry experts. Researchers on this project Heritiana Ranaivoson Research Professor Consortium partners Universidade Católice Portuguesa Católica Research Center Verifi Media Limited Universidade Católice Portuguesa 1/12 Tags Artificial Intelligence, Copyright, Media Policy, Music Industry, Platforms Previous Next

< Back Noëmie Forest Researcher noemie.janine.forest@vub.be Eager to investigate the role of platforms and streamers in constantly evolving media ecosystems, Noëmie joined SMIT as a researcher in the Media Economics and Policy unit in 2023. She will research personalization and recommender systems, and their value in media markets. Noëmie studied Communication Sciences at the Vrije Universiteit Brussel, between 2018 and 2022, with a specialisation in media, strategic communication, and marketing. Her specialisation gave her the chance to immerse herself in this subject through her thesis, “Does one size fit all? – How do five Belgian food brands position themselves on the international market?”. Noëmie dived into the world of different brands, and earned herself a great distinction in 2022. Before starting at SMIT, she worked at Think BBDO as strategic executive, to assist organizations in their branding and communication. Visit my research profile

< Back Valdy Wiratama Researcher valdy.wiratama@vub.be Growing up during the Web 2.0 era, the Internet left a favorable impression on my engagement with content. From dissecting events through discourses on Twitter to discovering new music on MySpace, the Internet enabled me to access a wider range of information and adjust my preferences at a reduced rate. While I can easily comprehend these effects as a media consumer, I can only imagine the ramifications on actors, musicians, and even print journalists. Lower barriers to entry amplify their competition, while the resulting oversupply threatens the exposure of smaller creators. With a current comprehension that requires more observations, my professional work is dedicated to understanding the supply side of the media industry and its relationship with the Internet. Particularly, I am invested in recorded music and its ever-evolving response towards platformization, online intermediaries, and the long tail hypothesis. As for the foundation that guides my outset in rationalizing phenomena, the baseline principle that I commonly work with is economics. I earned a Bachelor’s degree in economics from the University of Indonesia in 2018 and a Master of Arts degree (M.A.) in cultural economics and entrepreneurship from Erasmus University Rotterdam in 2022. To obtain the latter, I completed a thesis with the title ‘Backstage at the Pandemic: How the COVID-19 Pandemic Affected Music Production, Distribution, and Promotion among Unsigned Musicians in the United States.’ After defending the thesis, I joined an independent record label in The Netherlands before transitioning to a role that centers around fairness in the music industry (the FairMusE project) at imec-SMIT, VUB in 2023. Visit my research profile

< Back Ashley Amerson Product Manager This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. info@mysite.com 123-456-7890

< Back Camilla Jones Content Manager This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. info@mysite.com 123-456-7890

< Back Brad Grecco Marketing Associate This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. info@mysite.com 123-456-7890